Born in 1975, Maliza Kiasuwa is a visual artist of European and African descent. She lives and works in Kenya. She creates works with stimulating and eclectic elements celebrating Africa’s mystic power of nature by using raw materials and traditional symbols of energy that flow through the veins of the continent. She transforms everyday articles by combining reductive methods of shredding and twisting with constructive processes of tying, weaving, stitching and dyeing. The process is fluid, focused and becomes a meditation. Maliza Kiasuwa has exhibited in Kenya, Switzerland, Italy, England and the United States.
Kiasuwa’s constructions are deeply rooted in the cultural, social, and political context of Kenya, but more generally of Africa and the world. Combining handmade materials from Japan with found objects from around her farm on Lake Naivasha, in the heart of Kenya’s Great Rift Valley, Kiasuwa embraces her chosen material’s earlier character and vocabulary, but transfigures their context by sewing, stitching and mending to produce unexpected narratives and representations of society, events, and global issues. As a visual artist of European and African descent, Kiasuwa brings a panoptic perspective to her
border-crossing work, which regards the coexistence of two worlds as an endless source of inspiration, and a potential space for reconciliation.
“My sculptures and collages are made of bits and pieces that I collect during my daily expeditions: cotton threads, handmade ropes made of straw or rubber, plastic bags stranded on the lake shore,” said visual artist Maliza Kiasuwa. “These materials are representative of culture and history in the context of the global flow of goods, especially in terms of how their utility values shift over time. Sometimes I combine local materials with handmade fabrics such as Japanese Washi paper. I like to blend materials which don’t belong together.” - Maliza Kiasuwa