Pavillon 54’s magazine is a space for discovery, learnings and dialogue on Modern and Contemporary Art from Africa and its diaspora. Through articles, interviews, editorial coverage, videos, exhibitions and experiences, the Pavillon 54 community will learn, be informed and involved in current events in the African art world.
If you’ve been reading our art market coverage of the African Art Market in articles such as our African Art Market Report 2021 or our ‘Break down of the African Art Market,’ you’ll know that African art sales maintained healthy volume and growth last year. Despite the total restructuring of the global art market due to the COVID-19 pandemic, galleries and art organisations in Africa managed to stay afloat for the most part, and have made a vigorous comeback with art fairs, gallery shows and a growing collectorship on the continent adding to the market’s success. But how has the African art market fared so far in 2022? We provide the key insights from the first half of this year below.
Lovers, collectors and dealers of African art have a new rising star to keep their eyes on: Joy Labinjo. The British-Nigerian artist, who paints large-scale figurative paintings, often of black individuals, has leapt to rapid success in recent years, known for her talent in capturing sensitive, independent, contemplative, and vulnerable people — sometimes all in one.
As the second in our series of not-to-miss art destinations when scoping out the art scenes in Africa, we turn to Lagos, one of the leading art capitals on the continent. Lagos boasts a strong artistic tradition. When higher educational institutions were introduced into the country during the 1950s, Nigerian artists began to undermine traditional European-style painting by combining African artistic traditions in their practice, creating a distinct identity. Today, Nigeria hosts one of the largest art fairs on the continent and is home to numerous galleries and cultural institutions. The Pavillon 54 team recently had the privilege of visiting Nigeria and have compiled this list of must-see art spots in its capital city of Lagos.
Their history, and the fascinating technique to make them
Kuba cloths originated in the 17th century in the Kuba kingdom of central Africa, in modern-day Democratic Republic of the Congo, formerly Zaire. They are unique for their elaboration and complexity of design and surface decoration. Most cloths are a variation on rectangular or square pieces of woven palm leaf fiber enhanced by geometric designs executed in linear embroidery and other stitches, which are cut to form pile surfaces resembling velvet. Women are responsible for transforming raffia cloth into various forms of textiles, including ceremonial skirts, ‘velvet’ tribute cloths, headdresses and basketry.