Generated by All in One SEO v4.9.7.2, this is an llms.txt file, used by LLMs to index the site. # Pavillon 54 Pavillon 54 showcases modern and contemporary African art from artists across Africa and its diaspora. Discover galleries, exhibitions, collections, and cultural insights celebrating African creativity. ## Sitemaps - [XML Sitemap](https://pavillon54.com/sitemap.xml): Contains all public & indexable URLs for this website. ## Posts - [Au-delà du tableau d'affichage : Pourquoi l'héritage de l'Afrique à la Coupe du Monde transcende les phases finales](https://pavillon54.com/fr/p54magazine/au-dela-du-tableau-daffichage-pourquoi-lheritage-de-lafrique-a-la-coupe-du-monde-transcende-les-phases-finales/) - Alors que la Coupe du Monde 2026 entre dans sa dernière ligne droite, l’intensité sur le terrain est palpable. Bien que les tableaux du tournoi ne comptent plus d’équipes africaines dans ces derniers tours, s’en tenir strictement au tableau d’affichage reviendrait à passer à côté d’un récit bien plus grand. Bien avant que les demi-finales - [Beyond the Scoreboard: Why Africa’s World Cup Legacy Transcends the Final Stages](https://pavillon54.com/p54magazine/beyond-the-scoreboard-why-africas-world-cup-legacy-transcends-the-final-stages/) - As the 2026 World Cup heads into its final, the intensity on the pitch is palpable. While the tournament brackets may no longer feature African teams in these closing rounds, looking strictly at the scoreboard misses the grander narrative. Long before the semi-finals were decided, a completely different victory had already been claimed. It wasn’t - [L'Internet pensait que Jay-Z s'inspirait de Basquiat. La vérité était bien plus puissante.](https://pavillon54.com/fr/p54magazine/linternet-pensait-que-jay-z-sinspirait-de-basquiat-la-verite-etait-bien-plus-puissante/) - Depuis des années, Internet est obsédé par les cheveux de Jay-Z.Ses locks sont devenues un sujet de conversation récurrent, générant aussi bien des blagues et des mèmes que des essais de fond sur la richesse, le statut et l’identité noire. Certains y voyaient un rejet de la respectabilité corporative. D’autres y percevaient un hommage à - [The Internet Thought Jay-Z Was Channeling Basquiat. The Truth Was More Powerful.](https://pavillon54.com/p54magazine/the-internet-thought-jay-z-was-channeling-basquiat-the-truth-was-more-powerful/) - For years, the internet has been obsessed with Jay-Z’s hair.His wicks became a recurring topic of conversation, generating everything from jokes and memes to think pieces about wealth, status, and Black identity. Some saw them as a rejection of corporate respectability. Others viewed them as an homage to Jean-Michel Basquiat, the artist Jay-Z has long - [Beyond the Aesthetic: From Cubism to Painted by Esther and Patrick Ta, What Can We Learn About The Battle Between African Creative Influence and Market Monetization](https://pavillon54.com/p54magazine/beyond-the-aesthetic-from-cubism-to-painted-by-esther-and-patrick-ta-what-can-we-learn-about-the-battle-between-african-creative-influence-and-market-monetization/) - A visual representation of contemporary African portraiture and digital creative expression.Look around the global cultural landscape today, and one thing is undeniable: African and Diaspora creativity is the world’s ultimate engine. From avant-garde textiles gracing European runways to the bold visual languages dominating international art galleries, Black culture dictates the global mood board.But beneath the - [Au-delà de l'esthétique : du cubisme à Painted by Esther et Patrick Ta, quelles leçons tirer de la bataille entre influence créative africaine et monétisation du marché ?](https://pavillon54.com/fr/p54magazine/au-dela-de-lesthetique-du-cubisme-a-painted-by-esther-et-patrick-ta-quelles-lecons-tirer-de-la-bataille-entre-influence-creative-africaine-et-monetisation-du-marche/) - Une représentation visuelle du portrait africain contemporain et de l’expression créative numérique. Regardez le paysage culturel mondial d’aujourd’hui, et une chose est indéniable : la créativité africaine et de la diaspora est le moteur ultime du monde. Des textiles d’avant-garde qui ornent les défilés européens aux langages visuels audacieux qui dominent les galeries d’art internationales, - [Who is Victor Ekpuk?](https://pavillon54.com/p54magazine/who-is-victor-ekpuk/) - Who is Victor Ekpuk? Nigerian-American artist Victor Ekpuk has come to acclaim through his unique visual language, which abstracts the ancient Nigerian script Nsibidi and indigenous Uli art forms. By taking these codes and philosophies as the base for his artistic practice, Ekpuk creates his own symbolism that aims to decrypt the truths of the - [Biennials & The Like in Africa - Where to head to in the near future](https://pavillon54.com/p54magazine/biennials-the-like-in-africa-where-to-head-to-in-the-near-future/) - With brighter mobility perspectives looming on the horizon, art lovers are probably looking at possibilities to embark on a trip to noteworthy art manifestations. Biennales, Triennale’s, Encounters, you name it, have constituted an unmissable rendezvous’ for those hungry for new trends and seminal creative processes in contemporary art. When the long-standing and established Venice Biennale - [Who is Joy Labinjo?](https://pavillon54.com/p54magazine/who-is-joy-labinjo/) - Who is Joy Labinjo?Lovers, collectors and dealers of African art have a new rising star to keep their eyes on: Joy Labinjo. The British-Nigerian artist, who paints large-scale figurative paintings, often of black individuals, has leapt to rapid success in recent years, known for her talent in capturing sensitive, independent, contemplative, and vulnerable people — - [Art Styles](https://pavillon54.com/p54magazine/art-styles/) - Art historians and artists of African descent have long highlighted the platitudes of the term ‘African art’. Typically, in the canon of art history, African art has been reduced to masks, votive figures, weapons or tapestries. However, curators, African art historians, and creators have been fighting against this one-dimensional view of African cultural output, in - [A Breakdown of the African Art Market](https://pavillon54.com/p54magazine/a-breakdown-of-the-african-art-market/) - As another year comes to a close, the team here at Pavillon54 reflects upon the major happenings in the African art market in 2021. Through yet another unusual year after COVID-19 has been introduced into our lives, the art market as a whole has experienced incredible innovation and a steady comeback after the events of - [Kojo Marfo’s ‘Dreaming of Identity’: “Artworks to create a connection with people, to be a symbol for everyone to relate to”](https://pavillon54.com/p54magazine/kojo-marfos-dreaming-of-identity-artworks-to-create-a-connection-with-people-to-be-a-symbol-for-everyone-to-relate-to/) - With his first solo UK exhibition ‘Dreaming of Identity’ at JD Malat gallery, London, Kojo Marfo (b. 1980) explores the theme of identity through his own experience of migration. The artist depicts human figures with references from Africa, representing his roots in Ghana and Akan’s culture, and from the Western world – representing his travel - [Art Market Report - Key Insights from the Art Basel x UBS Art Market Report 2021](https://pavillon54.com/p54magazine/art-market-report-key-insights-from-the-art-basel-x-ubs-art-market-report-2021/) - Art world professionals and connoisseurs wait with bated breath for the annual Art Basel x UBS Art Market report each year. This report, one of the most comprehensive in the industry, provides a full assessment of the market’s performance of the previous year, allowing businesses to analyse the current state of the market, and plan - [Art & Power: art creativity and politics from Africa and the diaspora](https://pavillon54.com/p54magazine/art-power-art-creativity-and-politics-from-africa-and-the-diaspora/) - Elections always raise hope for political change. October and November 2020 have made no exception, not mentioning the recent military coup and the progressive return to civilian rule in Mali. Guinea, Ivory Coast, Tanzania or the United States have all elected a new President or reappointed the outgoing one. Guinea hasn’t experienced much political stability - [CÉLÉBRER L'ÉCLAT DE L'ART TINGA TINGA DE TANZANIE](https://pavillon54.com/fr/p54magazine/celebrer-leclat-de-lart-tinga-tinga-de-tanzanie/) - Introduction Dans cet article, Pavillon54 explore le monde de l’art Tinga Tinga, un style de peinture distinct originaire d’Afrique de l’Est, et plus particulièrement de Tanzanie. Cette tradition artistique vibrante et unique a gagné une immense popularité auprès des habitants comme des touristes, mettant en valeur le riche patrimoine culturel et la beauté naturelle de - [Focus Artiste : Helen Sebidi, une maître de l'art moderne, résiliente et en phase avec son temps](https://pavillon54.com/fr/p54magazine/focus-artiste-helen-sebidi-une-maitre-de-lart-moderne-resiliente-et-en-phase-avec-son-temps/) - À l’approche d’une nouvelle exposition et de rétrospectives de son illustre carrière, Helen Sebidi demeure remarquable et digne d’admiration. Dans la vaste tapisserie du monde de l’art, certains fils sont tissés de manière plus proéminente que d’autres, projetant des ombres qui obscurcissent des teintes tout aussi brillantes. Helen Sebidi, maître moderne venue d’Afrique du Sud, - [LES PAVILLONS AFRICAINS SUR LE DEVANT DE LA SCÈNE À LA BIENNALE DE VENISE 2024](https://pavillon54.com/fr/p54magazine/les-pavillons-africains-sur-le-devant-de-la-scene-a-la-biennale-de-venise-2024/) - Le thème de cette année, Stranieri Ovunque – Étrangers Partout, offre une occasion unique d’explorer les récits d’intersectionnalité culturelle, de migration et de mondialisation, autant de sujets qui résonnent profondément avec l’expérience africaine. L’excellence des équipes curatoriales et la sélection des artistes jouent un rôle central dans l’amplification des voix et des perspectives africaines sur - [Les commissaires africains qui défendent le marché de l’art](https://pavillon54.com/fr/p54magazine/les-commissaires-africains-qui-defendent-le-marche-de-lart/) - Les commissaires africains qui dynamisent le marché de l’art effectuent depuis longtemps un travail de fond pour orienter et réorienter les récits entourant l’art africain. Des pavillons des biennales internationalement acclamées aux foires d’art et aux musées, ces commissaires ont été au centre de la promotion de l’art africain sur la scène mondiale. Des figures - [L'année touche à sa fin : Voici les dernières foires d'art au calendrier](https://pavillon54.com/fr/p54magazine/lannee-touche-a-sa-fin-voici-les-dernieres-foires-dart-au-calendrier/) - Dans un monde de l’art contemporain en constante évolution, cette fin d’année 2023 s’annonce vibrante, rythmée par des expositions continues et un commissariat visionnaire incessant. Alors que le monde de l’art se prépare pour un final spectaculaire, nous explorons une sélection soignée des foires à venir qui captiveront les amateurs, les collectionneurs et les passionnés. - [Corporate Art Collections: Blending Art with Business Identity](https://pavillon54.com/p54magazine/corporate-art-collections-blending-art-with-business-identity/) - Did you know that some of the most prolific, high-quality art collections in the world belong to banks? For example, Deutsche Bank, one of the primary sponsors for Frieze art fair, has collected over 70,000 artworks over the years. But why are big businesses and corporations interested in collecting art? How did it all begin?In - [Contemporary African Art: An Arena for the Creation of New Imageries.](https://pavillon54.com/p54magazine/contemporary-african-art-an-arena-for-the-creation-of-new-imageries/) - What does the notion of ‘contemporary African art’ refer to today? We have previously published an article on the subject, but now we invite you to consider it from a socio-cultural and collective perspective. What is at stake when we frame or understand contemporary art practices within this concept? Undergoing relevant criticism, this notion still - [Contemporary African Photography](https://pavillon54.com/p54magazine/contemporary-african-photography/) - Africa and its global diaspora have met the medium of photography in all its complexities. From a colonial and ethnographic tool, photographers such as Malick Sidibé, Seydou Keïta, Jean Depara, Sanlé Sory, Mama Casset or James Barnor embraced the medium along the advent of independence. Often mentioned as the forerunners of African photography – one - [Bâ Simba and the power of storytelling](https://pavillon54.com/p54magazine/ba-simba-and-the-power-of-storytelling/) - Bâ Simba speaks slowly, intentionally, and every word that comes from his brain seems to be hand-crafted and specifically selected for the sentence he wishes to convey. His words have a weightiness and authority that belie his humble nature, but they are well-suited to his body of work, a painterly practice that employs vivacious colour, - [African Contemporary Art Trend - Blackness in Contemporary Portraiture](https://pavillon54.com/p54magazine/african-contemporary-art-trend-blackness-in-contemporary-portraiture/) - The late exhibition Liminality in Infinite Space held at the African Artists’ Foundation in Lagos has revealed much of contemporary African art’s appeal for figuration and portraiture – catalogue accessible here. The show’s intention seems to be twofold. First, “this exhibition arches back to more traditional art-making practices including painting, collage, tapestry and woodcuts”. Secondly, - [A Guide to Buying African Art at Auction](https://pavillon54.com/p54magazine/a-guide-to-buying-african-art-at-auction/) - If you are new to the world of collecting art, you may already know that the two primary means of acquiring art are through galleries and auction houses. Perhaps you know a couple of the famous, international names: Sotheby’s, Christie’s… But entering the auction house arena can be an intimidating feat, especially for new collectors. - [A brief history of African contemporary art](https://pavillon54.com/p54magazine/a-brief-history-of-african-contemporary-art/) - Read any article on African Contemporary Art, and you will find that most all will steer away from defining what exactly African contemporary art is—and with good reason. With fifty-four countries and cultures making up the continent of Africa, it is almost impossible to pin-point what ‘African’ art looks like, let alone bracket the time - [7 emerging artists to watch in South Africa](https://pavillon54.com/p54magazine/7-emerging-artists-to-watch-in-south-africa/) - South Africa is one of the continent’s most established art markets. Not only is it a hotspot for street art, but it is also home to some of Africa’s most established art infrastructures, such as the Zeitz MOCAA, which houses the largest contemporary collection of art from Africa, and the Investec Cape Town Art Fair, - [10 Most Expensive African Artists](https://pavillon54.com/p54magazine/10-most-expensive-african-artists/) - As auction houses establish sales dedicated to African modern and contemporary art, galleries look to diversify their rosters of artists, and the African art market continues to grow, it is important to take note of which artworks and artists are performing well. This is especially true if you are hoping to make an investment in - [7 Must See Art Exhibitions in London as the lockdown eases](https://pavillon54.com/p54magazine/7-must-see-art-exhibitions-in-london-as-the-lockdown-eases/) - In the UK, everyone is excited to return to galleries this April as the lockdown rules are lifted! Whether you missed these shows in December, want to visit the new exhibitions of the season, or just want to catch up with what’s still online, we’ve got you covered! Check out our list of the not-to-miss - [7 Must See Art Destinations in South Africa](https://pavillon54.com/p54magazine/7-must-see-art-destinations-in-south-africa/) - One of Pavillon 54’s favourite things to do is to physically visit and scope out the artistic scene in various countries in Africa. This has been hard to achieve during the pandemic, however we fortunately managed to visit South Africa recently, and have already compiled a list of the 7 emerging artists to watch there. - [7 Modern Congolese artists you should know](https://pavillon54.com/p54magazine/7-modern-congolese-artists-you-should-know/) - To navigate the history of art of a complex, multifaceted and multicultural continent as Africa, especially if you just got passionate about it, can seem like an overwhelming maze. But no worries, we are here to help you. Follow our series of “Artists you should know or watch” in each country, and you could soon - [7 Kenyan Artists You Should Know](https://pavillon54.com/p54magazine/7-kenyan-artists-you-should-know/) - In recent years, Kenya has emerged as a key hub for contemporary art in East Africa. Nairobi is becoming an ever-more important hub for art in the region with a growing list of contemporary art spaces. These include the prominent Circle Art Gallery as well as GoDown Arts Center, Kuona Artists Collective, Nairobi Contemporary Art - [7 Established Nigerian Artists You Should Know](https://pavillon54.com/p54magazine/7-established-nigerian-artists-you-should-know/) - To navigate the history of art of a complex, multifaceted and multicultural continent as Africa, especially if you just got passionate about it, can seem like an overwhelming maze. But no worries, we are here to help you. Follow our series of “Artists you should know or watch” in each country, and you could soon - [Echoes of Resilience: African Artists and Ecological Consciousness](https://pavillon54.com/p54magazine/echoes-of-resilience-african-artists-and-ecological-consciousness-2/) - In an era marked by the far-reaching repercussions of climate change, Africa finds itself grappling with its profound ramifications, bearing a disproportionate burden due to its unique geographical positioning, economic complexities, and limited capacity. The continent is now grappling with an intensified frequency of droughts, floods, and other erratic weather patterns, compounding preexisting vulnerabilities and - [El anatsui: bonds and bottle caps](https://pavillon54.com/p54magazine/el-anatsui-bonds-and-bottle-caps/) - El Anatsui’s Gravity and Grace Monumental Works (2009), Brooklyn Museum | © Eva Blue-Flickr.jpg As you descend the steps into the British Museum’s ‘Africa’ wing, you are immediately confronted by a sculpture, large in scale, that resembles a swathe of draped cloth—except the piece is made from bottle tops and discarded wrappers. It is ‘Man’s - [Engaging the Story of Art for a Sustainable African Art Market: The partnership between Pavillon54 and Morton Fine Art](https://pavillon54.com/p54magazine/engaging-the-story-of-art-for-a-sustainable-african-art-market-the-partnership-between-pavillon54-and-morton-fine-art/) - Amy Morton at Morton Fine Art galleryAs the one-stop global digital platform and community for art from Africa and the Diaspora, Pavillon54 always seeks to enter fruitful partnerships with artists, curators, collectors, and galleries. It became only natural, then, that for the next step of our development, we partnered with some of the most exciting - [Emerging vs mid-career vs established artist — what’s the difference and does it matter?](https://pavillon54.com/p54magazine/emerging-vs-mid-career-vs-established-artist-whats-the-difference-and-does-it-matter/) - Building a strong art collection requires an understanding of the art ecosystem as well as the market before deciding on a strategy to build your own. Have you ever heard experts or gallerists referring to artists as emerging, mid-career or established and wondered what it all means? Are there specific criteria to differentiate them or - [Frieze & 1-54 New-York: a report from Pavilion 54](https://pavillon54.com/p54magazine/frieze-1-54-new-york-a-report-from-pavilion-54/) - Credits: Nil Gallery, Prince Gyasi ‘Dreaming With Attitude’ (2021) New-York hosted two art fairs at the end of spring: Frieze New York & 1-54 New York. With fairs and other arty events progressively reopening their doors to the public – much of the display and outreach still took place online. Online viewing rooms or platforms - [How has the Black Lives Matter movement affected the African Art scene?](https://pavillon54.com/p54magazine/how-has-the-black-lives-matter-movement-affected-the-african-art-scene/) - © Liam Booysen Though the Black Lives Matter movement is by no means a new initiative, the outrage and consequent protests that ensued after the murder of George Floyd earlier this year have resulted in a common expectation for brands, museums, institutions, and other businesses to respond and act. Most likely, all of us have - [How is the African Art Market faring in 2022?](https://pavillon54.com/p54magazine/how-is-the-african-art-market-faring-in-2022/) - If you’ve been reading our art market coverage of the African Art Market in articles such as our African Art Market Report 2021 or our ‘Break down of the African Art Market,’ you’ll know that African art sales maintained healthy volume and growth last year. Despite the total restructuring of the global art market due - [How to Care for your Art Collection](https://pavillon54.com/p54magazine/how-to-care-for-your-art-collection/) - Collectors Alicia Keys and Kasseem “Swizz Beatz” Dean with paintings by Tschabalala Self © SWIZZ BEATZYou’ve done your research, selected choice artworks that match your collecting goals and tastes and have officially started your art collection. After you’ve acquired a certain number of paintings, sculptures, photographs, prints – whatever it may be – you may - [How to Start an African Art Collection without Breaking the Bank?](https://pavillon54.com/p54magazine/how-to-start-an-african-art-collection-without-breaking-the-bank/) - Victoria Rogers for CULTURED MAGAZINE [1] © CHRIS WAGGONEROne of the biggest misconceptions about collecting art is that you must be very wealthy to do so. However, this is simply not the case, as there are plenty of emerging artists and art markets to invest in at affordable prices. Art from Africa and its diaspora - [How to talk about Modern & Contemporary African Art: A beginner's guide](https://pavillon54.com/p54magazine/how-to-talk-about-modern-contemporary-african-art-a-beginners-guide/) - Veronica Alves dos Santos’s Confidence – Ethiopia (2018), print on cotton paper, 30 x 50 cm Start with the basics It’s difficult to know where to start with African Modern and Contemporary Art, especially as it is a topic that is rarely taught in schools and universities. Where to find books? Where to start learning? - [Inspired by Africa: Henri Matisse](https://pavillon54.com/p54magazine/inspired-by-africa-henri-matisse/) - Left: Kuba Cloth from Matisse’s Collection, artist unknown. Right: Matisse’s Red Interior still life on a blue table (1942)The influences of African art on various artists and movements throughout history recount fascinating stories of cultural exchange, theft, homage and colonialism. In this series of articles, Inspired by Africa, we assess the ways that some of - [Inspired by Africa: Jean-Michel Basquiat](https://pavillon54.com/p54magazine/inspired-by-africa-jean-michel-basquiat/) - Jean-Michel Basquiat’s Untitled (1982), work in oil stick, acrylic and spray paintThe influences of African art on various artists and movements throughout history recount fascinating stories of cultural exchange, theft, homage and colonialism. In this series of articles, Inspired by Africa, we assess the ways that some of the most famous artists in the world - [Inspired by Africa: Pablo Picasso](https://pavillon54.com/p54magazine/inspired-by-africa-pablo-picasso/) - Pablo Picasso’s Les Demoiselles d’Avignon (1907), oil on canvas, 243.9 cm × 233.7 cmThe influences of African art on various artists and movements throughout history recount fascinating stories of cultural exchange, theft, homage and colonialism. In this series of articles, Inspired by Africa, we assess the ways that some of the most famous artists in - [Limited Edition Prints: what to know when buying them?](https://pavillon54.com/p54magazine/limited-edition-prints-what-to-know-when-buying-them/) - The 99 Series, Part 7, 2013 © Aida MulunehThe term ‘print’ can often give the impression of a cheap, mass-produced printed piece of paper that doesn’t have much value. However, did you know that some of the most expensive prints by Edvard Munch and Pablo Picasso have exceeded a value of millions of pounds? This - [Meet Greatjoy: a “Contemporary expressionist”](https://pavillon54.com/p54magazine/meet-greatjoy-a-contemporary-expressionist/) - © Greatjoy in his studio, South-AfricaPavillon 54 had the chance to have a chat with Greatjoy Ndlovu: born in 1993, Greatjoy is a Zimbabwean visual artist living and working in Johannesburg, South Africa. One of the most interesting emerging artists on the South African scene, Greatjoy dynamic paintings are enriched by expressive brush strokes, graphite-drawing - [Must-see Art Destinations in Lagos, Nigeria](https://pavillon54.com/p54magazine/must-see-art-destinations-in-lagos-nigeria/) - Oluwarantimi by Polly Alakija, public art project commissioned by Lagos Government. Photo @Tayo AdeoyeAs the second in our series of not-to-miss art destinations when scoping out the art scenes in Africa, we turn to Lagos, one of the leading art capitals on the continent. Lagos boasts a strong artistic tradition. When higher educational institutions were - [NFTs: What to know and how they can empower the African art market?](https://pavillon54.com/p54magazine/nfts-what-to-know-and-how-they-can-empower-the-african-art-market/) - Metarif, a surreal video of 46.5 MB made by mysterious digital artist PakIf you’re a lover of art, you have more than likely come across the term ‘NFT’ in the past few months. From the record-breaking sale at Christie’s of Beeple’s artwork Everydays: The First 5000 Days—the first purely digital artwork offered at the esteemed - [Pavillon 54 in Conversation With Saint-Etienne Yeanzi](https://pavillon54.com/p54magazine/pavillon-54-in-conversation-with-saint-etienne-yeanzi/) - Saint-Etienne Yeanzi’s Studio, 2021.Pavillon 54 had the chance to have a chat with Saint-Etienne Yeanzi: born in 1988, He graduated in painting and photography at the “ Lycée d’Enseignement Artistique “of Cocody and the National School of Arts in Abidjan, in 2012.Yéanzi, a street art enthusiast, worked as a commissioned portrait painter for ten years. - [SEVEN FEMALE AFRICAN CONTEMPORARY ARTISTS YOU SHOULD KNOW](https://pavillon54.com/p54magazine/seven-female-african-contemporary-artists-you-should-know/) - Wangechi Muti, Forbidden Fruit Picker (2015) Take a look at our list of the ten most expensive African artists to date, and you’ll see that women take up a significant proportion of the cut—even taking the top place! Unlike in the Western contemporary art market, top female African artists often see great success and prominence - [The African Art Review 2022](https://pavillon54.com/p54magazine/the-african-art-review-2022/) - Image courtesy of ArtxlagosPerhaps it was the contemporary art withdrawals from the Covid-19 era finally being fed with passionate vigour, or perhaps a flagrant denial of the current global economic hardship with inflation and a potential recession on the horizon, but the contemporary art world has been absolutely buzzing in the latter half of 2022. - [The use of textile in African art and 7 artists that have mastered it](https://pavillon54.com/p54magazine/the-use-of-textile-in-african-art-and-7-artists-that-have-mastered-it/) - What is defined as textile art is art that uses varying materials and fibers to produce decorative, artistic objects. It’s one of the oldest forms of art in history and has played a part in practical and decorative man-made objects for hundreds of thousands of years. Across the African Continent, textile art has played a - [Through the crystal ball: Four artworld predictions for 2023](https://pavillon54.com/p54magazine/through-the-crystal-ball-four-artworld-predictions-for-2023/) - A new year welcomes new trends in the art world. While it is difficult to predict the future of any industry, specific movements will transform the art world this year. After years of uncertainty due to the pandemic, the year ahead will face some challenges with the art market set to contract. Even so, there - [What can you expect from buying art online?](https://pavillon54.com/p54magazine/what-can-you-expect-from-buying-art-online/) - It is undeniable: online art sales continue to grow. According to the ‘Hiscox online art trade report 2018’, the amount of art bought online has shown consistent growth over the past five years. In addition to this, 79% of young art buyers (under the age of 35) expressed that they use social media, especially Instagram, to discover new artists, and 32% of buyers said that social media had a significant impact in their decision to purchase art. This consistent increase in online methods of scouting the art market demonstrates that purchasing art digitally is becoming more prolific. Artech start-ups pioneered the way for making means of buying and selling art online easier and more convenient than ever, however we are also seeing traditional art institutions incorporate online methods of buying art. Regardless of whether one prefers to go with young, innovating start-up companies, or massive auction houses with decades of legacy, therefore, it is irrefutable that art e-commerce is a crucial facet of the future of the art market. Here are three benefits of buying art online that have spurred on this revolution. - [What does Blockchain mean for the African art market?](https://pavillon54.com/p54magazine/what-does-blockchain-mean-for-the-african-art-market/) - It is undeniable: online art sales continue to grow. According to the ‘Hiscox online art trade report 2018’, the amount of art bought online has shown consistent growth over the past five years, although admittedly the rate of growth has decreased[1]. This consistent increase in the online art market demonstrates that digital means of buying - [What to know when buying art?](https://pavillon54.com/p54magazine/what-to-know-when-buying-art/) - The possibilities of buying art grow ever more abundant. Indeed, these days, the dual-swoop of new, innovative digital art galleries and the increasing trend in the wealthy investing in art means that the art market is booming, particularly online. Among those using online platforms are wealthy millennials, many of whom are first-time buyers. If you count yourself among those who are interested in acquiring art for the first time, there are a few important questions to ask yourself before you make that big purchase. Below we’ve listed what to know when buying art, including some of the most important factors to consider. - [Why is African Contemporary Art trending (and why should you buy now)?](https://pavillon54.com/p54magazine/why-is-african-contemporary-art-trending-and-why-should-you-buy-now/) - Didier Claes booth, AKAA Art Fair, Paris, November 2019 For all the talk of the ‘African Art Boom’ in recent years, it isn’t always evident why is African contemporary art trending and what this boom entails, how it came to be, or what the future of the African art market is. Before investing in any type - [Zaire School of Popular Painting African Modern and Contemporary Art movements: an insight.](https://pavillon54.com/p54magazine/zaire-school-of-popular-painting-african-modern-and-contemporary-art-movements-an-insight/) - ‘Popular Painting school’: politically charged art made for the masses in the Democratic Republic of Congo From the late 1950’s, many countries in Africa won their independence back. Lasting almost two decades, Africa’s decolonization was made possible by bold political leadership, public outcry, riots and in some cases, guerrilla-style warfare. In the Democratic Republic of Congo’s - [Why Pavillon 54?](https://pavillon54.com/p54magazine/why-pavillon-54/) - A word from Dana Endundo Ferreira, Founder of Pavillon 54, about building the global technology platform for African creativity - [5 African LGBTQIA+ Artists Making an Impact in the Art World](https://pavillon54.com/p54magazine/5-african-lgbtqia-artists-making-an-impact-in-the-art-world/) - As Pride Month comes to a close, Pavillon54 highlights five key artists from Africa and the Diaspora who are defying cultural and societal expectations and furthering a progressive, forward-thinking and revolutionary African art movement. Through photography, performance, painting or sculpture—whichever weapon of choice the artists’ choose—each of their practices are dedicated to fighting stereotypes and discrimination against the queer communities in their respective countries, and the world more broadly. Read on to discover the methods in which these artists and activists use art to bring to light the pain, vulnerability, strength and beauty of queer individuals in Africa and beyond. - [The year is almost up: These are the last art fairs on the calendar](https://pavillon54.com/p54magazine/the-year-is-almost-up-these-are-the-last-art-fairs-on-the-calendar/) - In the ever-evolving world of contemporary art, the latter part of the year 2023 promises to be vibrant, with exhibitions ongoing and visionary curatorship unceasing. As the art world gears up for a spectacular finale, we explore a curated selection of upcoming art fairs that will captivate aficionados, collectors, and enthusiasts alike. From London’s iconic - [Abstract African Art](https://pavillon54.com/p54magazine/abstract-african-art/) - It’s important to note that generalisations about the popularity of abstract art in African art and the diaspora can be challenging because artistic preferences and styles are diverse and vary across regions, cultures, and individual artists. However, there are historical and contextual factors that may have influenced perceptions of abstract art in this context.This article - [Black History Month Through Art](https://pavillon54.com/p54magazine/black-history-month-through-art/) - In the American cultural landscape, the contributions of black American artists are both crucial and significant. This is largely overlooked because of America’s well-documented history of slavery and systematic racism. It is important to mention this because it has affected the way that art, made by black American artists, is viewed and valued so far - [Cape Town Art Fair: A report from Pavillon 54](https://pavillon54.com/p54magazine/cape-town-art-fair-a-report-from-pavillon-54/) - Celebrating a decade of contemporary South African art, Investec Cape Town opened its doors for its tenth edition. From modest beginnings, it is now generally acknowledged as the largest international contemporary art fair in Africa. The fair focused on the concept of time — the theme was broad, appropriately so as time is all-encompassing of - [Pavillon 54 in conversation with collector Liesle Barrath](https://pavillon54.com/p54magazine/pavillon-54-in-conversation-with-collector-liesle-barrath/) - Joburg-based collector Liesle Barrath takes Pavillon54 on a walk through her private art collection. Housed in her leafy home, it is a cool and eclectic mix of works featuring heavy-hitting names such as Mmakgabo Helen Sebidi and Nandipha Mntambo together with street-art inspired works courtesy of artists Khaya Witbooi and Vusi Beauchamp. Walking through the - [‘Black beauty, pride and excellence: A Tale of Reappropriation’: Pavillon54 in collaboration with the Black In Business club (LBS)](https://pavillon54.com/p54magazine/black-beauty-pride-and-excellence-a-tale-of-reappropriation-pavillon54-in-collaboration-with-the-black-in-business-club-lbs/) - Black beauty, pride and excellence: A Tale of Reappropriation is all about representations of black culture and community. The product of a true collaboration between the Black in Business club at London Business School and Pavillon 54 from conception to the desinstallation. It’s no secret that during the course of history, Africans have been dehumanised - [Global and African art market according to the Art Basel Report 2023](https://pavillon54.com/p54magazine/global-and-african-art-market-according-to-the-art-basel-report-2023/) - The annual Art Basel and UBS Art Market Report is out. With pages and pages of well-researched insights on the global art market from the previous year, the report covers topics from NFTs and online sales to auctions, dealers and fairs. It’s dense and certainly doesn’t qualify as light reading so here at Pavillon54 we - [Who is Emma Prempeh?](https://pavillon54.com/p54magazine/who-is-emma-prempeh/) - Ideas of the home have been explored in contemporary art — tied to issues of race and gender, identity and class. The ‘home is where the heart is’ theme is an abundant notion with many myriad approaches in contemporary art. In Emma Prempeh’s paintings, homes and interiors are imbued with locale, history, memory and identity. To - [7 Moroccan Artists You Should Know](https://pavillon54.com/p54magazine/7-moroccan-artists-you-should-know/) - For Morocco, rich artistic heritage comes hand in hand with its traditional artisanship, colourful enclaves and impressively ornate architecture. In recent years, this creative identity has been added to by the growth of its contemporary art scene. Two major private institutions — Museum of African Contemporary Art Al Maaden (MACAAL) and Musée Yves Saint Laurent - [Who is Mickalene Thomas?](https://pavillon54.com/p54magazine/who-is-mickalene-thomas/) - As the end of Pride Month approaches, it is crucial to recognise the artistic contributions of queer individuals who challenge traditional narratives and perspectives. In the realm of contemporary art, one name that stands out is Mickalene Thomas. With her bold reinterpretation of iconic works like Édouard Manet‘s Olympia and Le Dejeuner sur l’herbe, Thomas - [8 Exhibitions to see this summer](https://pavillon54.com/p54magazine/8-exhibitions-to-see-this-summer/) - Summer has arrived in the Northern hemisphere and it is arguably the best time of year to enjoy the various offerings each city provides — architecture, parks, and undoubtedly the various museums and galleries. From iconic artists to rising stars, lesser known art movements and the celebration of African photography, this guide offers our picks - [When African Art inspires Fashion](https://pavillon54.com/p54magazine/when-african-art-inspires-fashion/) - The influence of African culture, specifically the Bambara of Mali, can be seen in iconic collection like Yves Saint Laurent’s 1967 Spring/Summer collection, Picasso’s Les Demoiselles d’Avignon was heavily influenced by African art, and Celine’s 2013 Autumn collection found a ways of paying homage to the all-purpose Ghana-must-go bag. The list is extensive – African - [Echoes of Resilience: African Artists and Ecological Consciousness](https://pavillon54.com/p54magazine/echoes-of-resilience-african-artists-and-ecological-consciousness/) - In an era marked by the far-reaching repercussions of climate change, Africa finds itself grappling with its profound ramifications, bearing a disproportionate burden due to its unique geographical positioning, economic complexities, and limited capacity. The continent is now grappling with an intensified frequency of droughts, floods, and other erratic weather patterns, compounding preexisting vulnerabilities and - [Galleries You Might Know in Lagos](https://pavillon54.com/p54magazine/galleries-you-might-know-in-lagos/) - In a state where institutional support is lacking, government backing is close to zero, and the economic backdrop is abysmal, the artistic energy within the Lagos art scene is thriving. Against all odds, the artistic energy in the West African art capital of Nigeria is witnessing the rise of new galleries that are reshaping the - [A look back at the 2023 FNB Joburg Art Fair](https://pavillon54.com/p54magazine/a-look-back-at-the-2023-fnb-joburg-art-fair/) - The 16th edition of the FNB Joburg Art Fair was a celebration of art from both local and international perspectives. Since its inception in 2008, this event has continually expanded its reach, drawing audiences across divides. This year’s fair lived up to its exceeded previous editions, offering an array of exhibitions, an indoor sculpture park, - [Pavillon 54 In Conversation With Ugoma Ebilah](https://pavillon54.com/p54magazine/pavillon-54-in-conversation-with-ugoma-ebilah/) - “I think it’s also difficult to see the unusual suspects. And of course, in my case, I say unusual, because you know, I am a gallerist to most people and I am a curator to most people.”Ugoma starts with a nod to the importance of Pavillon54’s focus on collectors.“But there’s also a side of me - [7 African Artists at the Forefront of Abstraction](https://pavillon54.com/p54magazine/7-african-artists-at-the-forefront-of-abstraction/) - Abstract art from the continent and diaspora, once on the fringes of the global art landscape, has now taken its rightful place in the spotlight. From the diverse community of African artists, we spotlight our picks of abstract artists, each with a unique voice, a different perspective, and an artistry that transcends borders From Limpopo - [The Dialogue: Highlights of Art X Lagos Fair 2023](https://pavillon54.com/p54magazine/the-dialogue-highlights-of-art-x-lagos-fair-2023/) - Art X Lagos returned to The Federal Palace, Victoria Island, for its 8th edition to explore ideas, prompting reflection and mutual sharing, to guide our reimagination of the here and now differently. The theme for this year’s edition was ‘The Dialogue,’ which prompted negotiation beyond political and social dilemmas. The curation for this theme featured - [8 Emerging Nigerian Artists You Should Know](https://pavillon54.com/p54magazine/8-emerging-nigerian-artists-you-should-know/) - The African art landscape has witnessed the rise of established Nigerian artists like Ben Enwonwu, Reuben Ugbine, Peju Alatise, Yinka Shonibare, Toyin Ojih Odutola, and Njideka Akunyili Crosby, amongst others. This generation of artists, at different stages of their artistic careers, interrogated the daily living of the country through varied forms of visual representation. These - [Art Collection Management: The Key Aspects](https://pavillon54.com/p54magazine/art-collection-management-the-key-aspects/) - As we usher in a new year, brimming with fresh possibilities and resolutions, it’s a time to reflect on our passions and pursuits. For art enthusiasts and collectors, considering new avenues to enhance their appreciation of creativity may be at the forefront. Beyond traditional resolutions, there’s one commitment that resonates not just with the seasoned - [Exploring Place in African Art](https://pavillon54.com/p54magazine/exploring-place-in-african-art/) - In the investigation of identity and reconciliation of forgotten histories to the present, the concept of a place is significant to the African art narrative. As an active observer of their immediate environment, an artist is in constant dialogue with a place, physical or non-physical.There’s more emphasis on what the place means to an African - [Exciting art exhibitions and events to watch out for in 2024](https://pavillon54.com/p54magazine/exciting-art-exhibitions-and-events-to-watch-out-for-in-2024/) - As the art world prepares to rebound to pre-pandemic heights, 2024 promises to be a momentous year with an anticipated surge in exhibitions and art fairs globally. Let’s delve into some of the major art events to anticipate in 2024. Eye Me, Zanele MuholiSan Francisco Museum of Modern Art18 January–11 August, 2024Eye Me marks a significant - [African Artists Redefining the Renaissance Period](https://pavillon54.com/p54magazine/african-artists-redefining-the-renaissance-period/) - African artists are redefining the Renaissance period by infusing art historical references into contemporary works, recasting works like Pietà by Michelangelo, David by Donatello, and Mona Lisa by Leonardo da Vinci, amongst others, with Black subjects. The Renaissance period is one of the most important art movements that has made an impact on the history - [Black Art Collectors Shaping the Future of Art Investment](https://pavillon54.com/p54magazine/black-art-collectors-shaping-the-future-of-art-investment/) - The journey of black art collectors is one marked by both resilience and revelation. From the early pioneers who sought to preserve and celebrate African and African American art to contemporary collectors who are broadening the horizons of art investment, their impact is indelible. These collectors are not just amassing artworks; they are curating collections - [African Pavilions taking the scene at Venice Biennale 2024](https://pavillon54.com/p54magazine/african-pavilions-taking-the-scene-at-venice-biennale-2024/) - This year’s theme, Stranieri Ovunque – Foreign Everywhere, presents a profound opportunity to explore narratives of cultural intersectionality, migration, and globalisation, all of which resonate deeply with the African experience. The excellent curatorial teams and artists selection play a pivotal role in amplifying African voices and perspectives on the global stage.For this 60th edition, a - [African Curators Championing The Art Market](https://pavillon54.com/p54magazine/african-curators-championing-the-art-market/) - African curators championing the art market have been doing the heavy lifting of directing and redirecting the narratives surrounding African art for a long time. From pavilions at internationally acclaimed biennials, art fairs, and museums, curators have been at the center of promoting African art on a global stage.Curators like Okwui Enwezor, Bisi Silva, and - [Embracing the Vibrance of Tinga Tinga Art of Tanzania](https://pavillon54.com/p54magazine/embracing-the-vibrance-of-tinga-tinga-art-of-tanzania/) - Introduction In this article, Pavillon54 explores the world of Tinga Tinga art, a distinct painting style that originated in East Africa, particularly in Tanzania. This vibrant and unique artistic tradition has gained immense popularity among locals and tourists alike, showcasing the rich cultural heritage and natural beauty of the region. Nestled along the shores of - [REFUGE: Lagos Biennial 2024](https://pavillon54.com/p54magazine/refuge-lagos-biennial-2024/) - After a two-year hiatus, Refuge: Lagos Biennial 2024 returns to the historical grounds of Tafawa Balewa Square, named after the first Nigerian Prime Minister. Known for its historical significance, from hosting Nigerian independence celebrations in 1960 and the Festival of Black Arts and Culture FESTAC ’77, Tafawa Balewa Square continues to play a central role - [Artist Spotlight: Helen Sebidi is a Modern Master, She is Resilient and Moving With the Times](https://pavillon54.com/p54magazine/artist-spotlight-helen-sebidi-is-a-modern-master-she-is-resilient-and-moving-with-the-times/) - With a new show ahead, and retrospectives of her illustrious career, Helen Sebidi remains remarkable and worthy of admiration.In the vast tapestry of the art world, certain threads are woven more prominently than others, casting shadows that obscure equally brilliant hues. Helen Sebidi, a modern master hailed from South Africa, emerges from the folds of this - [Capital Art: Mastering African Art Collection Management](https://pavillon54.com/p54magazine/capital-art-mastering-african-art-collection-management/) - If you’ve been following our exploration of art collection management, you know that being the guardian of art is no ordinary task. In a previous article, we delved deep into the nuances of art collection management, shedding light on its pivotal role in safeguarding cultural heritage and nurturing artistic legacies for generations to come. Now, ## Pages - [Home](https://pavillon54.com/) - Modern and contemporary art by African artists and the diaspora. Beyond aesthetics, collect works that have soul and lasting value: each acquisition adds a chapter to your legacy. Exceptional art, rich in culture. 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Bien que les tableaux du tournoi ne comptent plus d’équipes africaines dans ces derniers - [Elementor Search Results #5618](https://pavillon54.com/?elementor_library=elementor-search-results-5618) - RESULTS Beyond the Scoreboard: Why Africa’s World Cup Legacy Transcends the Final Stages As the 2026 World Cup heads into its final, the intensity on the pitch is palpable. While the tournament brackets may no longer feature African teams in these closing rounds, looking strictly at the scoreboard misses the grander narrative. Long before the - [Elementor Loop Item #5621](https://pavillon54.com/?elementor_library=elementor-loop-item-12) - Elementor Loop Item #5621 - [Elementor Loop Item #5577](https://pavillon54.com/?elementor_library=elementor-loop-item-11) - Elementor Loop Item #5577 - [Elementor Loop Item #3766](https://pavillon54.com/?elementor_library=elementor-loop-item-9) - Elementor Loop Item #3766 - [Elementor Loop Item #3463](https://pavillon54.com/?elementor_library=elementor-loop-item-7) - Elementor Loop Item #3463 - [Elementor Loop Item #3428](https://pavillon54.com/?elementor_library=elementor-loop-item-5) - [Elementor Loop Item #3393](https://pavillon54.com/?elementor_library=elementor-loop-item-4) - (N/A) - [Elementor Loop Item #3372](https://pavillon54.com/?elementor_library=elementor-loop-item-3) - [Elementor Loop Item #2508](https://pavillon54.com/?elementor_library=elementor-loop-item) ## Artists - [Laolu Senbanjo](https://pavillon54.com/p54magazine/artists/laolu-senbanjo/) - Untitled 17 Untitled 10 Untitled 9 Untitled 8 Untitled 7 Untitled 6 - [Laolu Senbanjo](https://pavillon54.com/fr/p54magazine/artists/laolu-senbanjo-fr/) - Untitled 17 Untitled 10 Untitled 9 Untitled 8 Untitled 7 Untitled 6 - [Suraj Adekola](https://pavillon54.com/p54magazine/artists/suraj-adekola/) - Untitled 17 Untitled 10 Untitled 9 Untitled 8 Untitled 7 Untitled 6 - [Suraj Adekola](https://pavillon54.com/fr/p54magazine/artists/suraj-adekola-fr/) - Untitled 17 Untitled 10 Untitled 9 Untitled 8 Untitled 7 Untitled 6 - [Mumpasi Meso](https://pavillon54.com/p54magazine/artists/mumpasi-meso/) - [Mumpasi Meso](https://pavillon54.com/fr/p54magazine/artists/mumpasi-meso-fr/) - [Mohamed Diabagate](https://pavillon54.com/p54magazine/artists/mohamed-diabagate/) - [Bolaji Ogunwo](https://pavillon54.com/p54magazine/artists/bolaji-ogunwo/) - [Fototala King Massassy](https://pavillon54.com/p54magazine/artists/fototala-king-massassy/) - [Mafalda Vasconcelos](https://pavillon54.com/p54magazine/artists/mafalda-vasconcelos/) - [Malick Kebe](https://pavillon54.com/p54magazine/artists/malick-kebe/) - [Saint-etienne Yeanzi](https://pavillon54.com/p54magazine/artists/saint-etienne-yeanzi/) - [Jenevieve Aken](https://pavillon54.com/p54magazine/artists/jenevieve-aken/) - [Héla Ammar](https://pavillon54.com/p54magazine/artists/hela-ammar/) - [Héla Ammar](https://pavillon54.com/fr/p54magazine/artists/hela-ammar-fr/) - [Fototala King Massassy](https://pavillon54.com/fr/p54magazine/artists/fototala-king-massassy-fr/) - [Jenevieve Aken](https://pavillon54.com/fr/p54magazine/artists/jenevieve-aken-fr/) - [Mafalda Vasconcelos](https://pavillon54.com/fr/p54magazine/artists/mafalda-vasconcelos-fr/) - [Malick Kebe](https://pavillon54.com/fr/p54magazine/artists/malick-kebe-fr/) - [Mohamed Diabagate](https://pavillon54.com/fr/p54magazine/artists/mohamed-diabagate-fr/) - [Saint-etienne Yeanzi](https://pavillon54.com/fr/p54magazine/artists/saint-etienne-yeanzi-fr/) - [Bolaji Ogunwo](https://pavillon54.com/fr/p54magazine/artists/bolaji-ogunwo-fr/) - [GA Gardner](https://pavillon54.com/p54magazine/artists/ga-gardner/) - [Mario Andres Robinson](https://pavillon54.com/p54magazine/artists/mario-andres-robinson/) - [Maya Freelon](https://pavillon54.com/p54magazine/artists/maya-freelon/) - [Krisjan Rossouw](https://pavillon54.com/p54magazine/artists/krisjan-rossouw/) - [Osi Audu](https://pavillon54.com/p54magazine/artists/osi-audu/) - [Michael Andrew Booker](https://pavillon54.com/p54magazine/artists/michael-andrew-booker/) - [Rosemary Feit Covey](https://pavillon54.com/p54magazine/artists/rosemary-feit-covey/) - [Victor Ekpuk](https://pavillon54.com/p54magazine/artists/victor-ekpuk/) - [Meron Engida](https://pavillon54.com/p54magazine/artists/meron-engida/) - [GA Gardner](https://pavillon54.com/fr/p54magazine/artists/ga-gardner-fr/) - [Krisjan Rossouw](https://pavillon54.com/fr/p54magazine/artists/krisjan-rossouw-fr/) - [Maya Freelon](https://pavillon54.com/fr/p54magazine/artists/maya-freelon-fr/) - [Meron Engida](https://pavillon54.com/fr/p54magazine/artists/meron-engida-fr/) - [Michael Andrew Booker](https://pavillon54.com/fr/p54magazine/artists/michael-andrew-booker-fr/) - [Osi Audu](https://pavillon54.com/fr/p54magazine/artists/osi-audu-fr/) - [Rosemary Feit Covey](https://pavillon54.com/fr/p54magazine/artists/rosemary-feit-covey-fr/) - [Victor Ekpuk](https://pavillon54.com/fr/p54magazine/artists/victor-ekpuk-fr/) - [Greatjoy](https://pavillon54.com/fr/p54magazine/artists/greatjoy-fr/) - [Zanele Montle](https://pavillon54.com/fr/p54magazine/artists/zanele-montle-fr/) - [Maliza Kiasuwa](https://pavillon54.com/fr/p54magazine/artists/maliza-kiasuwa-fr/) - [Fatima Tayob Moosa](https://pavillon54.com/fr/p54magazine/artists/fatima-tayob-moosa-fr/) - [Fatima Tayob Moosa](https://pavillon54.com/p54magazine/artists/fatima-tayob-moosa/) - [Prince Galla Gnohité](https://pavillon54.com/p54magazine/artists/prince-galla-gnohite/) - [Prince Galla Gnohité](https://pavillon54.com/fr/p54magazine/artists/prince-galla-gnohite-2/) - [Yapi Roger](https://pavillon54.com/fr/p54magazine/artists/yapi-roger-fr/) - [Deborah Lebeni](https://pavillon54.com/fr/p54magazine/artists/deborah-lebeni-fr/) - [Deborah Lebeni](https://pavillon54.com/p54magazine/artists/deborah-lebeni/) - [Yapi Roger](https://pavillon54.com/p54magazine/artists/yapi-roger/) - [Kiné Aw](https://pavillon54.com/p54magazine/artists/kine-aw/) - [Leikun Nahusenay](https://pavillon54.com/p54magazine/artists/leikun-nahusenay/) - [Rachid Bouhamidi](https://pavillon54.com/p54magazine/artists/rachid-bouhamidi/) - [Martin Musyoka](https://pavillon54.com/p54magazine/artists/martin-musyoka/) - [Martin Musyoka](https://pavillon54.com/fr/p54magazine/artists/martin-musyoka-fr/) - [Rachid Bouhamidi](https://pavillon54.com/fr/p54magazine/artists/rachid-bouhamidi-fr/) - [Leikun Nahusenay](https://pavillon54.com/fr/p54magazine/artists/leikun-nahusenay-fr/) - [Kiné Aw](https://pavillon54.com/fr/p54magazine/artists/kine-aw-fr/) - [Silas Adeoye](https://pavillon54.com/fr/p54magazine/artists/silas-adeoye-fr/) - [Prince Orlu](https://pavillon54.com/fr/p54magazine/artists/prince-orlu-fr/) - [Silas Adeoye](https://pavillon54.com/p54magazine/artists/silas-adeoye/) - [Prince Orlu](https://pavillon54.com/p54magazine/artists/prince-orlu/) - [Esteban Jimenez](https://pavillon54.com/fr/p54magazine/artists/esteban-jimenez-fr/) - [Esteban Jimenez](https://pavillon54.com/p54magazine/artists/esteban-jimenez/) - [Kono Raymond Yves](https://pavillon54.com/p54magazine/artists/kono-raymond-yves/) - [Kofi Agorsor](https://pavillon54.com/p54magazine/artists/kofi-agorsor/) - [Gabriel Jideonwor](https://pavillon54.com/p54magazine/artists/gabriel-jideonwor/) - [Denisse Ariana Pérez](https://pavillon54.com/p54magazine/artists/denisse-ariana-perez/) - [Kofi Agorsor](https://pavillon54.com/fr/p54magazine/artists/kofi-agorsor-fr/) - [Gabriel Jideonwor](https://pavillon54.com/fr/p54magazine/artists/gabriel-jideonwor-fr/) - [Denisse Ariana Pérez](https://pavillon54.com/fr/p54magazine/artists/denisse-ariana-perez-fr/) - [Kono Raymond Yves](https://pavillon54.com/fr/p54magazine/artists/kono-raymond-yves-fr/) - [Hendrik Lilanga](https://pavillon54.com/p54magazine/artists/hendrik-lilanga/) - [Claudy Khan](https://pavillon54.com/p54magazine/artists/claudy-khan/) - [Delphine Diallo](https://pavillon54.com/p54magazine/artists/delphine-diallo/) - [Mbongeni Buthelezi](https://pavillon54.com/p54magazine/artists/mbongeni-buthelezi/) - [Hendrik Lilanga](https://pavillon54.com/fr/p54magazine/artists/hendrik-lilanga-fr/) - [Claudy Khan](https://pavillon54.com/fr/p54magazine/artists/claudy-khan-fr/) - [Delphine Diallo](https://pavillon54.com/fr/p54magazine/artists/delphine-diallo-fr/) - [Mbongeni Buthelezi](https://pavillon54.com/fr/p54magazine/artists/mbongeni-buthelezi-fr/) - [Onyis Martin](https://pavillon54.com/p54magazine/artists/onyis-martin/) - [Miles Regis](https://pavillon54.com/p54magazine/artists/miles-regis/) - [Fathi Hassan](https://pavillon54.com/p54magazine/artists/fathi-hassan/) - [Soly Cissé](https://pavillon54.com/p54magazine/artists/soly-cisse/) - [Onyis Martin](https://pavillon54.com/fr/p54magazine/artists/onyis-martin-fr/) - [Miles Regis](https://pavillon54.com/fr/p54magazine/artists/miles-regis-fr/) - [Fathi Hassan](https://pavillon54.com/fr/p54magazine/artists/fathi-hassan-fr/) - [Soly Cissé](https://pavillon54.com/fr/p54magazine/artists/soly-cisse-fr/) - [InXsaniXty](https://pavillon54.com/p54magazine/artists/inxsanixty/) - [Nathaniel Donnett.](https://pavillon54.com/fr/p54magazine/artists/nathaniel-donnett-2/) - [Nathaniel Donnett](https://pavillon54.com/p54magazine/artists/nathaniel-donnett/) - [Themba Khumalo.](https://pavillon54.com/fr/p54magazine/artists/themba-khumalo-2/) - [Themba Khumalo](https://pavillon54.com/p54magazine/artists/themba-khumalo-3/) - [Opedun Damilola.](https://pavillon54.com/fr/p54magazine/artists/opedun-damilola-2/) - [Opedun Damilola](https://pavillon54.com/p54magazine/artists/opedun-damilola-3/) - [InXsaniXty](https://pavillon54.com/fr/p54magazine/artists/inxsanixty-fr/) - [Isabelle Grobler](https://pavillon54.com/p54magazine/artists/isabelle-grobler/) - [Amado AlFadni](https://pavillon54.com/fr/p54magazine/artists/amado-alfadni-2/) - [Amado AlFadni.](https://pavillon54.com/p54magazine/artists/amado-alfadni-3/) - [Amber Robles-Gordon](https://pavillon54.com/fr/p54magazine/artists/amber-robles-gordon-fr/) - [Adia Millett](https://pavillon54.com/fr/p54magazine/artists/adia-millett-fr/) - [Àsìkò](https://pavillon54.com/p54magazine/artists/asiko/) - [Alexis Chabala](https://pavillon54.com/p54magazine/artists/alexis-chabala/) - [Babanzanga](https://pavillon54.com/p54magazine/artists/babanzanga/) - [Bob-Nosa Uwagboe](https://pavillon54.com/p54magazine/artists/bob-nosa-uwagboe/) - [Armand Ndoumbe](https://pavillon54.com/p54magazine/artists/armand-ndoumbe/) - [Akhile Ehiforia](https://pavillon54.com/p54magazine/artists/akhile-ehiforia/) - [Bâ Simba](https://pavillon54.com/p54magazine/artists/ba-simba/) - [Bâ Simba](https://pavillon54.com/fr/p54magazine/artists/ba-simba-2/) - [Akhile Ehiforia](https://pavillon54.com/fr/p54magazine/artists/akhile-ehiforia-fr/) - [Armand Ndoumbe](https://pavillon54.com/fr/p54magazine/artists/armand-ndoumbe-fr/) - [Bob-Nosa Uwagboe](https://pavillon54.com/fr/p54magazine/artists/bob-nosa-uwagboe-fr/) - [Adia Millett](https://pavillon54.com/p54magazine/artists/adia-millett/) - [Amber Robles-Gordon](https://pavillon54.com/p54magazine/artists/amber-robles-gordon/) - [Alexis Chabala](https://pavillon54.com/fr/p54magazine/artists/alexis-chabala-fr/) - [Àsìkò](https://pavillon54.com/fr/p54magazine/artists/asiko-fr/) - [Babanzanga](https://pavillon54.com/fr/p54magazine/artists/babanzanga-fr/) - [Silas Adeoye](https://pavillon54.com/fr/p54magazine/artists/silas-adeoye-2/) - [Obeka Simon](https://pavillon54.com/p54magazine/artists/obeka-simon/) - [Damilola Okhoya](https://pavillon54.com/p54magazine/artists/damilola-okhoya/) - [Mario Andres Robinson](https://pavillon54.com/fr/p54magazine/artists/mario-andres-robinson-fr/) - [Maliza Kiasuwa](https://pavillon54.com/p54magazine/artists/maliza-kiasuwa/) - [Zanele Montle](https://pavillon54.com/p54magazine/artists/zanele-montle/) - [Greatjoy](https://pavillon54.com/p54magazine/artists/greatjoy/) ## Artworks - [Untitled 17](https://pavillon54.com/p54magazine/artwork/untitled-17-2/) - [Untitled 10](https://pavillon54.com/p54magazine/artwork/untitled-10-2/) - [Untitled 9](https://pavillon54.com/p54magazine/artwork/untitled-9-2/) - [Untitled 8](https://pavillon54.com/p54magazine/artwork/untitled-8-2/) - [Untitled 7](https://pavillon54.com/p54magazine/artwork/untitled-7-2/) - [Untitled 6](https://pavillon54.com/p54magazine/artwork/untitled-6-2/) - [Untitled 5](https://pavillon54.com/p54magazine/artwork/untitled-5-2/) - [Untitled 4](https://pavillon54.com/p54magazine/artwork/untitled-4-2/) - [Untitled 2](https://pavillon54.com/p54magazine/artwork/untitled-2-3/) - [Untitled 1](https://pavillon54.com/p54magazine/artwork/untitled-1-2/) - [Untitled](https://pavillon54.com/p54magazine/artwork/untitled-20/) - [Untitled](https://pavillon54.com/p54magazine/artwork/untitled-19/) - [Untitled](https://pavillon54.com/p54magazine/artwork/untitled-17/) - [Untitled](https://pavillon54.com/p54magazine/artwork/untitled-10/) - [Untitled](https://pavillon54.com/p54magazine/artwork/untitled-9/) - [Untitled](https://pavillon54.com/p54magazine/artwork/untitled-8/) - [Untitled](https://pavillon54.com/p54magazine/artwork/untitled-7/) - [Untitled](https://pavillon54.com/p54magazine/artwork/untitled-6/) - [Untitled](https://pavillon54.com/p54magazine/artwork/untitled-5/) - [Diana](https://pavillon54.com/p54magazine/artwork/diana/) - [The sun never set](https://pavillon54.com/p54magazine/artwork/the-sun-never-set/) - [Amarava](https://pavillon54.com/p54magazine/artwork/amarava/) - [Looking at You](https://pavillon54.com/p54magazine/artwork/looking-at-you/) - [The Village](https://pavillon54.com/p54magazine/artwork/the-village/) - [Thandie](https://pavillon54.com/p54magazine/artwork/thandie/) - [MORGNAN (AVANCE)](https://pavillon54.com/p54magazine/artwork/morgnan-avance/) - [LES AVENIRS](https://pavillon54.com/p54magazine/artwork/les-avenirs/) - [GLANIGNON 1 (COURAGE)](https://pavillon54.com/p54magazine/artwork/glanignon-1-courage/) - [CONTRE VENT ET MARRES 1](https://pavillon54.com/p54magazine/artwork/contre-vent-et-marres-1/) - [Young Cynthia](https://pavillon54.com/p54magazine/artwork/young-cynthia/) - [A Time To Gather Together](https://pavillon54.com/p54magazine/artwork/a-time-to-gather-together/) - [Spirit Sistas](https://pavillon54.com/p54magazine/artwork/spirit-sistas/) - [Gone with the wind](https://pavillon54.com/p54magazine/artwork/gone-with-the-wind/) - [That Black Dress](https://pavillon54.com/p54magazine/artwork/that-black-dress/) - [Sweet Surrender](https://pavillon54.com/p54magazine/artwork/sweet-surrender/) - [Horse's Mouth](https://pavillon54.com/p54magazine/artwork/horses-mouth/) - [Back up](https://pavillon54.com/p54magazine/artwork/back-up/) - [Foresighting No.2](https://pavillon54.com/p54magazine/artwork/foresighting-no-2/) - [Foresighting No.1](https://pavillon54.com/p54magazine/artwork/foresighting-no-1/) - [Conference](https://pavillon54.com/p54magazine/artwork/conference/) - [Flight of Whispers](https://pavillon54.com/p54magazine/artwork/flight-of-whispers/) - [Seeking Forgiveness](https://pavillon54.com/p54magazine/artwork/seeking-forgiveness/) - [Visceral Organ 3](https://pavillon54.com/p54magazine/artwork/visceral-organ-3/) - [Sensitive Environments](https://pavillon54.com/p54magazine/artwork/sensitive-environments/) - [Sidlala Phandla](https://pavillon54.com/p54magazine/artwork/sidlala-phandla/) - [Imphahla zami](https://pavillon54.com/p54magazine/artwork/imphahla-zami/) - [Ancestral](https://pavillon54.com/p54magazine/artwork/ancestral/) - [Brown Skin 1](https://pavillon54.com/p54magazine/artwork/brown-skin-1/) - [Incomplete 3](https://pavillon54.com/p54magazine/artwork/incomplete-3/) - [Incomplete 1](https://pavillon54.com/p54magazine/artwork/incomplete-1/) - [Scars 5](https://pavillon54.com/p54magazine/artwork/scars-5/) - [Scars 3](https://pavillon54.com/p54magazine/artwork/scars-3/) - [Imperfections](https://pavillon54.com/p54magazine/artwork/imperfections/) - [Passion](https://pavillon54.com/p54magazine/artwork/passion/) - [PASSE DÉCISIF](https://pavillon54.com/p54magazine/artwork/passe-decisif/) - [Green Flow](https://pavillon54.com/p54magazine/artwork/green-flow/) - 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Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic - [Pride and Belonging](https://pavillon54.com/p54magazine/event/pride-and-belonging/) - Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic - [Spring Is Rebellious](https://pavillon54.com/p54magazine/event/spring-is-rebellious/) - Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. 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Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into - [Contemporary African Art Gallery](https://pavillon54.com/p54magazine/gallery/contemporary-african-art-gallery/) - [THK GALLERY](https://pavillon54.com/p54magazine/gallery/thk-gallery/) - [Spier Arts Trust](https://pavillon54.com/p54magazine/gallery/spier-arts-trust/) - [BERMAN CONTEMPORARY](https://pavillon54.com/p54magazine/gallery/berman-contemporary/) - [GUNS AND RAIN](https://pavillon54.com/p54magazine/gallery/guns-and-rain/) - [MANZART](https://pavillon54.com/p54magazine/gallery/manzart/) - [WHATIFTHEWORLD](https://pavillon54.com/p54magazine/gallery/whatiftheworld/) - [Candice Berman Gallery](https://pavillon54.com/p54magazine/gallery/candice-berman-gallery/) - [BARNARD](https://pavillon54.com/p54magazine/gallery/barnard/) - [ARTSOUTHAFRICA](https://pavillon54.com/p54magazine/gallery/artsouthafrica/) - [SALON NINETY ONE](https://pavillon54.com/p54magazine/gallery/salon-ninety-one/) - [Christopher Moller Gallery](https://pavillon54.com/p54magazine/gallery/christopher-moller-gallery/) - 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[PRIMO MARELLA GALLERY](https://pavillon54.com/p54magazine/gallery/primo-marella-gallery/) - [Luce Gallery](https://pavillon54.com/p54magazine/gallery/luce-gallery/) - [Galleria Anna Marra](https://pavillon54.com/p54magazine/gallery/galleria-anna-marra/) - [Kyo noir studio ​](https://pavillon54.com/p54magazine/gallery/kyo-noir-studio/) - [Cécile Fakhoury](https://pavillon54.com/p54magazine/gallery/cecile-fakhoury/) - [Eureka Galerie](https://pavillon54.com/p54magazine/gallery/eureka-galerie/) - [Circle Art Gallery](https://pavillon54.com/p54magazine/gallery/circle-art-gallery/) - [Diani Beach Art Gallery](https://pavillon54.com/p54magazine/gallery/diani-beach-art-gallery/) - [Sirius African Art Gallery](https://pavillon54.com/p54magazine/gallery/sirius-african-art-gallery/) - [Comptoir des Mines Galerie](https://pavillon54.com/p54magazine/gallery/comptoir-des-mines-galerie/) - [DAVID BLOCH GALLERY](https://pavillon54.com/p54magazine/gallery/david-bloch-gallery/) - [1,242 SouthEast Gallery](https://pavillon54.com/p54magazine/gallery/1242-southeast-gallery/) - 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[Ghana](https://pavillon54.com/p54magazine/country/ghana/) - [Hong Kong](https://pavillon54.com/p54magazine/country/hong-kong/) - [Italy](https://pavillon54.com/p54magazine/country/italy/) - [Ivory Coast](https://pavillon54.com/p54magazine/country/ivory-coast/) - [Kenya](https://pavillon54.com/p54magazine/country/kenya/) - [Mali](https://pavillon54.com/p54magazine/country/mali/) - [Marocco](https://pavillon54.com/p54magazine/country/marocco/) - [Mauritius](https://pavillon54.com/p54magazine/country/mauritius/) - [Morocco](https://pavillon54.com/p54magazine/country/morocco/) - [Mozambic](https://pavillon54.com/p54magazine/country/mozambic/) - [Mozambique](https://pavillon54.com/p54magazine/country/mozambique/) - [Nigeria](https://pavillon54.com/p54magazine/country/nigeria/) - [Portugal](https://pavillon54.com/p54magazine/country/portugal/) - [RD Congo](https://pavillon54.com/p54magazine/country/rd-congo/) - [Rwanda](https://pavillon54.com/p54magazine/country/rwanda/) - [Senegal](https://pavillon54.com/p54magazine/country/senegal/) - [South Africa](https://pavillon54.com/p54magazine/country/south-africa/) - [Spain](https://pavillon54.com/p54magazine/country/spain/) - [Swaziland](https://pavillon54.com/p54magazine/country/swaziland/) - [Swizterland](https://pavillon54.com/p54magazine/country/swizterland/) - [The Netherlands](https://pavillon54.com/p54magazine/country/the-netherlands/) - [Tunisia](https://pavillon54.com/p54magazine/country/tunisia/) - [United Arab Emirates](https://pavillon54.com/p54magazine/country/united-arab-emirates/) - [Uganda](https://pavillon54.com/p54magazine/country/uganda/) - [United Kingdom](https://pavillon54.com/p54magazine/country/united-kingdom/) - [United States of America](https://pavillon54.com/p54magazine/country/united-states-of-america/) - [Zimbabwe](https://pavillon54.com/p54magazine/country/zimbabwe/) ## Medium - [Acrylic](https://pavillon54.com/p54magazine/medium/acrylic/) - [Acrylic on canvas](https://pavillon54.com/p54magazine/medium/acrylic-on-canvas/) - [Acrylic on cotton canvas](https://pavillon54.com/p54magazine/medium/acrylic-on-cotton-canvas/) - [Acrylic on Drywall](https://pavillon54.com/p54magazine/medium/acrylic-on-drywall/) - [Acrylic on panel](https://pavillon54.com/p54magazine/medium/acrylic-on-panel/) - [Acrylic on paper](https://pavillon54.com/p54magazine/medium/acrylic-on-paper/) - [Acrylic on voile](https://pavillon54.com/p54magazine/medium/acrylic-on-voile/) - [Acrylic on white earthenware plates](https://pavillon54.com/p54magazine/medium/acrylic-on-white-earthenware-plates/) - [Acrylic on wood](https://pavillon54.com/p54magazine/medium/acrylic-on-wood/) - [Acrylic technique](https://pavillon54.com/p54magazine/medium/acrylic-technique/) - [Adire (tie-dye) on Fabric](https://pavillon54.com/p54magazine/medium/adire-tie-dye-on-fabric/) - [Alcohol ink on paper](https://pavillon54.com/p54magazine/medium/alcohol-ink-on-paper/) - [Coffee wash on paper](https://pavillon54.com/p54magazine/medium/coffee-wash-on-paper/) - [Collage on Canvas](https://pavillon54.com/p54magazine/medium/collage-on-canvas/) - [Collage on Circular Wooden Table](https://pavillon54.com/p54magazine/medium/collage-on-circular-wooden-table/) - [Collage on Panel](https://pavillon54.com/p54magazine/medium/collage-on-panel/) - [Ink on Canvas](https://pavillon54.com/p54magazine/medium/ink-on-canvas/) - [Oil bars on Adire (tie-dye) fabric](https://pavillon54.com/p54magazine/medium/oil-bars-on-adire-tie-dye-fabric/) - [Pastel on paper](https://pavillon54.com/p54magazine/medium/pastel-on-paper/) - [Beeswax](https://pavillon54.com/p54magazine/medium/beeswax/) - [Beeswax on canvas](https://pavillon54.com/p54magazine/medium/beeswax-on-canvas/) - [Beeswax on treated canvas](https://pavillon54.com/p54magazine/medium/beeswax-on-treated-canvas/) - [Bleach](https://pavillon54.com/p54magazine/medium/bleach/) - [Canvas](https://pavillon54.com/p54magazine/medium/canvas/) - [Charcoal](https://pavillon54.com/p54magazine/medium/charcoal/) - [Charcoal on canvas](https://pavillon54.com/p54magazine/medium/charcoal-on-canvas/) - [Collage](https://pavillon54.com/p54magazine/medium/collage/) - [Collage on paper](https://pavillon54.com/p54magazine/medium/collage-on-paper/) - [Collage on Wood](https://pavillon54.com/p54magazine/medium/collage-on-wood/) - [Collage textile](https://pavillon54.com/p54magazine/medium/collage-textile/) - [Color pencil](https://pavillon54.com/p54magazine/medium/color-pencil/) - [Colour paper peel](https://pavillon54.com/p54magazine/medium/colour-paper-peel/) - [Conte](https://pavillon54.com/p54magazine/medium/conte/) - [Cotton](https://pavillon54.com/p54magazine/medium/cotton/) - [Crocheted wool](https://pavillon54.com/p54magazine/medium/crocheted-wool/) - [Cyanotype](https://pavillon54.com/p54magazine/medium/cyanotype/) - [Duct tape](https://pavillon54.com/p54magazine/medium/duct-tape/) - [Enamel](https://pavillon54.com/p54magazine/medium/enamel/) - [Enamel on Fabriano](https://pavillon54.com/p54magazine/medium/enamel-on-fabriano/) - [Experimental printmaking on canvas](https://pavillon54.com/p54magazine/medium/experimental-printmaking-on-canvas/) - [Fabric](https://pavillon54.com/p54magazine/medium/fabric/) - [Fabric on canvas](https://pavillon54.com/p54magazine/medium/fabric-on-canvas/) - [Fabric/textiles - cotton](https://pavillon54.com/p54magazine/medium/fabric-textiles-cotton/) - [Fabric/textiles - indigo dyed cotton](https://pavillon54.com/p54magazine/medium/fabric-textiles-indigo-dyed-cotton/) - [Fine liner pen](https://pavillon54.com/p54magazine/medium/fine-liner-pen/) - [Fineliner pen](https://pavillon54.com/p54magazine/medium/fineliner-pen/) - [Fineliner pen on paper](https://pavillon54.com/p54magazine/medium/fineliner-pen-on-paper/) - [Found objects on canvas](https://pavillon54.com/p54magazine/medium/found-objects-on-canvas/) - [Giclee print](https://pavillon54.com/p54magazine/medium/giclee-print/) - [Gold leaf on canvas](https://pavillon54.com/p54magazine/medium/gold-leaf-on-canvas/) - [Gold thread](https://pavillon54.com/p54magazine/medium/gold-thread/) - [Graphite](https://pavillon54.com/p54magazine/medium/graphite/) - [Graphite on paper mounted on canvas](https://pavillon54.com/p54magazine/medium/graphite-on-paper-mounted-on-canvas/) - [Graphite on pastel on paper](https://pavillon54.com/p54magazine/medium/graphite-on-pastel-on-paper/) - [Hand coloured wood engraving on handmade paper](https://pavillon54.com/p54magazine/medium/hand-coloured-wood-engraving-on-handmade-paper/) - [Handmade papers](https://pavillon54.com/p54magazine/medium/handmade-papers/) - [Heat treated fabric](https://pavillon54.com/p54magazine/medium/heat-treated-fabric/) - [Ink](https://pavillon54.com/p54magazine/medium/ink/) - [Ink on Panel](https://pavillon54.com/p54magazine/medium/ink-on-panel/) - [Ink on water colour paper](https://pavillon54.com/p54magazine/medium/ink-on-water-colour-paper/) - [Ink on watercolour paper](https://pavillon54.com/p54magazine/medium/ink-on-watercolour-paper/) - [Ink wash](https://pavillon54.com/p54magazine/medium/ink-wash/) - [Lithograph on paper](https://pavillon54.com/p54magazine/medium/lithograph-on-paper/) - [Litograph on paper](https://pavillon54.com/p54magazine/medium/litograph-on-paper/) - [Melted plastic on printed plexiglass](https://pavillon54.com/p54magazine/medium/melted-plastic-on-printed-plexiglass/) - [Melted plastic on recycled paper](https://pavillon54.com/p54magazine/medium/melted-plastic-on-recycled-paper/) - [Melted recycled plastic on canvas on board](https://pavillon54.com/p54magazine/medium/melted-recycled-plastic-on-canvas-on-board/) - [Melted recycled plastic on plexiglass](https://pavillon54.com/p54magazine/medium/melted-recycled-plastic-on-plexiglass/) - [Mixed media](https://pavillon54.com/p54magazine/medium/mixed-media/) - [Mixed media assemblage on wood panel](https://pavillon54.com/p54magazine/medium/mixed-media-assemblage-on-wood-panel/) - [Mixed media collage](https://pavillon54.com/p54magazine/medium/mixed-media-collage/) - [Mixed media collage on canvas](https://pavillon54.com/p54magazine/medium/mixed-media-collage-on-canvas/) - [Mixed media collage on mylar](https://pavillon54.com/p54magazine/medium/mixed-media-collage-on-mylar/) - [Mixed media collage on paper](https://pavillon54.com/p54magazine/medium/mixed-media-collage-on-paper/) - [Mixed Media on canson paper](https://pavillon54.com/p54magazine/medium/mixed-media-on-canson-paper/) - [Mixed Media on Canvas](https://pavillon54.com/p54magazine/medium/mixed-media-on-canvas/) - [Mixed media on mylar](https://pavillon54.com/p54magazine/medium/mixed-media-on-mylar/) - [Mixed media on paper](https://pavillon54.com/p54magazine/medium/mixed-media-on-paper/) - [Mixte](https://pavillon54.com/p54magazine/medium/mixte/) - [Oil](https://pavillon54.com/p54magazine/medium/oil/) - [Oil on Canvas](https://pavillon54.com/p54magazine/medium/oil-on-canvas/) - [Oil on cotton canvas](https://pavillon54.com/p54magazine/medium/oil-on-cotton-canvas/) - [Oil on linen](https://pavillon54.com/p54magazine/medium/oil-on-linen/) - [Oil on paper](https://pavillon54.com/p54magazine/medium/oil-on-paper/) - [Oil on treated Canvas](https://pavillon54.com/p54magazine/medium/oil-on-treated-canvas/) - [Oil paint](https://pavillon54.com/p54magazine/medium/oil-paint/) - [Oil pastel on black paper](https://pavillon54.com/p54magazine/medium/oil-pastel-on-black-paper/) - [Oil pastel on board](https://pavillon54.com/p54magazine/medium/oil-pastel-on-board/) - [Oil pastel on canvas](https://pavillon54.com/p54magazine/medium/oil-pastel-on-canvas/) - [Oil pastels](https://pavillon54.com/p54magazine/medium/oil-pastels/) - [Oil Sticks on canvas](https://pavillon54.com/p54magazine/medium/oil-sticks-on-canvas/) - [Paint](https://pavillon54.com/p54magazine/medium/paint/) - [Painting on canvas](https://pavillon54.com/p54magazine/medium/painting-on-canvas/) - [Painting on panel](https://pavillon54.com/p54magazine/medium/painting-on-panel/) - [Paper](https://pavillon54.com/p54magazine/medium/paper/) - [Paper on canvas](https://pavillon54.com/p54magazine/medium/paper-on-canvas/) - [Paper peel](https://pavillon54.com/p54magazine/medium/paper-peel/) - [Pastel](https://pavillon54.com/p54magazine/medium/pastel/) - [Pastel on canvas](https://pavillon54.com/p54magazine/medium/pastel-on-canvas/) - [Pearl on canvas](https://pavillon54.com/p54magazine/medium/pearl-on-canvas/) - [Pencil on paper](https://pavillon54.com/p54magazine/medium/pencil-on-paper/) - [Photo transfer – Monoprint](https://pavillon54.com/p54magazine/medium/photo-transfer-monoprint/) - [Photographs](https://pavillon54.com/p54magazine/medium/photographs/) - [Pigment on Canson](https://pavillon54.com/p54magazine/medium/pigment-on-canson/) - [Pigment on canvas](https://pavillon54.com/p54magazine/medium/pigment-on-canvas/) - [Plastic](https://pavillon54.com/p54magazine/medium/plastic/) - [Plastic on paper bags](https://pavillon54.com/p54magazine/medium/plastic-on-paper-bags/) - [Polyethylene](https://pavillon54.com/p54magazine/medium/polyethylene/) - [Powder coated steel](https://pavillon54.com/p54magazine/medium/powder-coated-steel/) - [Printmaking on canvas](https://pavillon54.com/p54magazine/medium/printmaking-on-canvas/) - [Raffia collage on canvas](https://pavillon54.com/p54magazine/medium/raffia-collage-on-canvas/) - [Recycled Plastic Material on Canvas](https://pavillon54.com/p54magazine/medium/recycled-plastic-material-on-canvas/) - [Sand paper collage](https://pavillon54.com/p54magazine/medium/sand-paper-collage/) - [Sennelier oil pastel mix with water on canvas](https://pavillon54.com/p54magazine/medium/sennelier-oil-pastel-mix-with-water-on-canvas/) - [Serigraph on paper](https://pavillon54.com/p54magazine/medium/serigraph-on-paper/) - [Silk](https://pavillon54.com/p54magazine/medium/silk/) - [Spray paint](https://pavillon54.com/p54magazine/medium/spray-paint/) - [Stamp](https://pavillon54.com/p54magazine/medium/stamp/) - [Stucco on canvas](https://pavillon54.com/p54magazine/medium/stucco-on-canvas/) - [Textile collage](https://pavillon54.com/p54magazine/medium/textile-collage/) - [Textile collage on canvas](https://pavillon54.com/p54magazine/medium/textile-collage-on-canvas/) - [Thread](https://pavillon54.com/p54magazine/medium/thread/) - [Tissue ink mono/photo print on paper](https://pavillon54.com/p54magazine/medium/tissue-ink-mono-photo-print-on-paper/) - [Tissue ink monoprint](https://pavillon54.com/p54magazine/medium/tissue-ink-monoprint/) - [Tissue paper](https://pavillon54.com/p54magazine/medium/tissue-paper/) - [Tissue paper on canvas](https://pavillon54.com/p54magazine/medium/tissue-paper-on-canvas/) - [Upholstery fabric](https://pavillon54.com/p54magazine/medium/upholstery-fabric/) - [Washi](https://pavillon54.com/p54magazine/medium/washi/) - [Washi paper](https://pavillon54.com/p54magazine/medium/washi-paper/) - [Watercolor on paper](https://pavillon54.com/p54magazine/medium/watercolor-on-paper/) - [Watercolour on paper](https://pavillon54.com/p54magazine/medium/watercolour-on-paper/) - [Wire on wood](https://pavillon54.com/p54magazine/medium/wire-on-wood/) - [Wood engraving](https://pavillon54.com/p54magazine/medium/wood-engraving/) - [Wood engraving on paper](https://pavillon54.com/p54magazine/medium/wood-engraving-on-paper/) - [Woven collage mixed media on canvas](https://pavillon54.com/p54magazine/medium/woven-collage-mixed-media-on-canvas/) - [Woven cotton fabric](https://pavillon54.com/p54magazine/medium/woven-cotton-fabric/) - [Yarn](https://pavillon54.com/p54magazine/medium/yarn/) - [Yupo](https://pavillon54.com/p54magazine/medium/yupo/) - [[940]](https://pavillon54.com/p54magazine/medium/940/) - [[748]](https://pavillon54.com/p54magazine/medium/748/) - [[976](https://pavillon54.com/p54magazine/medium/976/) - [880]](https://pavillon54.com/p54magazine/medium/880/) - [[790]](https://pavillon54.com/p54magazine/medium/790/) - [[746](https://pavillon54.com/p54magazine/medium/746/) - [816](https://pavillon54.com/p54magazine/medium/816/) - [992]](https://pavillon54.com/p54magazine/medium/992/) - [[938](https://pavillon54.com/p54magazine/medium/938/) - [[934]](https://pavillon54.com/p54magazine/medium/934/) ## Months - [February](https://pavillon54.com/p54magazine/month/february/) - [March](https://pavillon54.com/p54magazine/month/march/) - [January](https://pavillon54.com/p54magazine/month/january/) - [April](https://pavillon54.com/p54magazine/month/april/) - [May](https://pavillon54.com/p54magazine/month/may/) - [June](https://pavillon54.com/p54magazine/month/june/) - [July](https://pavillon54.com/p54magazine/month/july/) - [August](https://pavillon54.com/p54magazine/month/august/) ## Name Index - [I](https://pavillon54.com/fr/p54magazine/name-index/i-fr/) - [O](https://pavillon54.com/fr/p54magazine/name-index/o-fr/) - [M](https://pavillon54.com/fr/p54magazine/name-index/m-fr/) - [B](https://pavillon54.com/p54magazine/name-index/b-en/) - [I](https://pavillon54.com/p54magazine/name-index/i-en/) - [O](https://pavillon54.com/p54magazine/name-index/o-en/) - [M](https://pavillon54.com/p54magazine/name-index/m-en/) - [F](https://pavillon54.com/p54magazine/name-index/f-en/) - [S](https://pavillon54.com/p54magazine/name-index/s-en/) - [H](https://pavillon54.com/p54magazine/name-index/h-en/) - [A](https://pavillon54.com/p54magazine/name-index/a-en/) - [C](https://pavillon54.com/p54magazine/name-index/c-en/) - [D](https://pavillon54.com/p54magazine/name-index/d-en/) - [K](https://pavillon54.com/p54magazine/name-index/k-en/) - [G](https://pavillon54.com/p54magazine/name-index/g-en/) - [E](https://pavillon54.com/p54magazine/name-index/e-en/) - [P](https://pavillon54.com/p54magazine/name-index/p-en/) - [R](https://pavillon54.com/p54magazine/name-index/r-en/) - [L](https://pavillon54.com/p54magazine/name-index/l-en/) - [Y](https://pavillon54.com/p54magazine/name-index/y-en/) - [Z](https://pavillon54.com/p54magazine/name-index/z-en/) - [J](https://pavillon54.com/p54magazine/name-index/j-en/) - [V](https://pavillon54.com/p54magazine/name-index/v-en/) - [N](https://pavillon54.com/fr/p54magazine/name-index/n-fr/) - [N](https://pavillon54.com/p54magazine/name-index/n-en/)