Engida Hawke showcases the underrepresented side of the Ethiopian experience in her “Ashenda Girl” series by depicting women in moments of joy, freedom and righteous resistance. The series title references Ashenda, a colorful religious festival celebrated every August in northern Ethiopia by women and girls. Taking its name from a tall grass that is woven into skirts and worn for the duration of the three-day festival, the Ashenda girls also dress in traditional embroidered dresses, with fine jewelry and braided hair. The celebration is a joyous occasion of song and dance—an opportunity for the embrace of feminine self-expression.

Her recent work involves the development of a mixed-media practice that layers Ethiopian woven fabric onto canvas—an innovation inspired by recent news of Ethiopian clothing being mass manufactured with synthetic materials.
Engida Hawke’s inclusion of the handwoven fabric, as a testament to her heritage, shares pictorial space here with animals and pearls—part of the artist’s innate visual lexicon of innocence, forgiveness, elegance and justice. Weaving the weighted symbols of her native culture into increasingly disparate and secular works, Engida Hawke elaborates a narrative that telegraphs from the heart of Ethiopian identity into the cacophony of global media and international affairs.