Pavillon 54 is the go-to platform for African art, connecting artists, collectors, buyers, institutions and art lovers across the world.
It's a global digital platform and community around Modern and Contemporary Art from Africa and its Diaspora.
Pavillon 54 aims to develop a worldwide ecosystem of partners specialised in modern and contemporary African art. Our goal? To develop the first and foremost platform dedicated to developing the arts and culture of Africa - by Africans, for Africans and for (the rest of) the world, in Africa and in the rest of the world.
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What do we do?
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Become a contributor
Do you like writing and creating content? Are you passionate about Africa and their talents? Are you an expert in Modern and Contemporary African Art?
Our team works with local contacts, art historians, curators, institutions and with writers and contributors to build the biggest library and resources center around modern and contemporary art from Africa and the diaspora. We are always looking for journalists and art specialists ready to collaborate on the Pavillon 54 project.
So, if you would like to participate in this ambitious yet necessary endeavour, contact us.
You have an idea? Send us an e-mail. We will be happy to discuss it.
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Latest News
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Why Pavillon 54?
A word from Dana Endundo Ferreira, Founder of Pavillon 54, about building the global technology platform for African creativity July 20, 2020A word from Dana Endundo Ferreira, Founder of Pavillon 54, about building the global technology platform for African creativity -
Art of Africa: Pavillon 54
TechvangArt Art-Tech Startups Conversations with Dana Endundo, CEO & Founder of Pavillon 54 - the one-stop-shop for African ArtTechvangArt Art-Tech Startups Conversations with Dana Endundo, CEO & Founder of Pavillon 54 - the one-stop-shop for African Art -
Yinka Shonibare, CBE (RA)
A Foot in Two Continents June 25, 2020The story of British-Nigerian artist Yinka Shonibare is one that spans two continents, countries and cultures. He was born in London, but moved to Nigeria when he was three years old, where he spent his childhood. The straddling of these two nations, and ultimately two cultural identities, thus has a profound influence on his work, which often engages with themes of identity, globalisation and post-colonisation.
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