Overview

Attracted by Free Figuration and Naive Art, Kono Raymon Yves' works are the antipodes of public expectations through his half-child, half-adult characters with turned heads.

 

It is a way to escape from life while making fun of his experience. “I would rather die of laughter than of boredom” is the quote that inspires his artist approach.

Works
  • Kono Raymond Yves, Le couple, 2023
    Kono Raymond Yves
    Le couple, 2023
    Acylic on canvas
    59 x 59 in
    150 x 150 cm
    Kono Raymond Yves, Le couple, 2023
    $ 3,600.00
  • Kono Raymond Yves, Pere et fille, 2023
    Kono Raymond Yves
    Pere et fille, 2023
    Acrylic on Canvas
    59 x 59 in
    150 x 150 cm
    Kono Raymond Yves, Pere et fille, 2023
    $ 3,600.00
  • Kono Raymond Yves, Good Speaker, 2022
    Kono Raymond Yves
    Good Speaker, 2022
    Acylic on canvas
    58 1/4 x 63 in
    148 x 160 cm
    Kono Raymond Yves, Good Speaker, 2022
    $ 4,600.00
  • Kono Raymond Yves, Good time, 2022
    Kono Raymond Yves
    Good time, 2022
    Acylic on canvas
    35 3/8 x 35 3/8 in
    90 x 90 cm
    Kono Raymond Yves, Good time, 2022
    $ 3,000.00
Biography

Kono Raymond Yves, born in 1987, lives and works in Yaounde, Cameroon. He graduated in Arts Plastiques and History of Art from the University of Yaounde 1.

 

Kono represents the dreams of young children and adults through the human silhouette that he nicknamed ''Ntshi Ntshim'' in the ETON language. Through them, he symbolizes the idea that the Human is a being resilient who turns away from situations in order to reclaim them. The artist invites us - through the regard of his characters - to get more sense of sharing, and make his fellow man a better version of itself.

 

Attracted by Free Figuration and Naive Art, his works are the antipodes of public expectations through his half-child, half-adult characters with turned heads. It is a way for him to escape from life while making fun of his experience. “I would rather die of laughter than of boredom” is the quote that inspires his artistic approach. He represents linear human figures filled with color, alone and or in groups with turned faces, illustrating by this position the avoidance of the other’s gaze.

 

It’s a question of everyday identity, dignity, and re-appropriation of the past, present and future. It’s an affirmation of the human being.